
Bonus story feature: Click here to download Gemma Files & Stephen J. Barringer's
"each thing i show you is a piece of my death" from CLOCKWORK PHOENIX 2
now a nominee for the 2009 Shirley Jackson Awards.
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Still availableread the rave reviews ofCLOCKWORK PHOENIX Tales of Beauty and Strangeness | On sale nowNew From Norilana: CLOCKWORK PHOENIX 2Table of Contentsread the Publishers Weeklystarred review | Coming next monthFrom Norilana Books: CLOCKWORK PHOENIX 3Place an orderread the new Publishers Weeklystarred review |
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Retail Price: $11.95 USD - £8.50 GBP ISBN-13: 978-1-60762-062-4 ISBN-10: 1-60762-062-6 316 pages Order Your Copy: Amazon - Barnes & Noble Amazon UK - Amazon CA Amazon FR - Amazon DE Amazon JP ...or your favorite bookstore! To purchase signed copies directly from the editor, query here. Check out these links
CLOCKWORK PHOENIX 3 review at The Billion Light-Year Bookshelf
An interview with editor Mike Allen at the Interstitial Arts Foundation |
Praise for CLOCKWORK PHOENIX 3 . . . .Allen's third volume of extraordinary short stories reaches new heights of rarity and wonder. Marie Brennan sets the bar high with "The Gospel of Nachash," a fine reinterpretation of the Adam and Eve legend from a fresh perspective. Tori Truslow's scholarly "Tomorrow Is Saint Valentine's Day" tells the story of the Great Ice Train and its encounter with the merfolk on the Moon. Gemma Files's "Hell Friend" and C.S.E. Cooney's "Braiding the Ghosts" are sinister, spine-tingling ghost stories. Cat Rambo deals with realism and escapism in her futuristic "Surrogates," where appearances and reality are mutable. Shweta Narayan's "Eyes of Carven Emerald" eloquently rewrites the history of Alexander the Great to include mechanical entities. Without a wrong note, all the stories in this anthology admirably fulfill Allen's promise of "beauty and strangeness."
CLOCKWORK PHOENIX is a series of anthologies from Norilana Books, edited by Mike Allen, that bears the subtitle "New Tales of Beauty and Strangeness". This seems a quite appropriate subtitle — the stories really do seem attempts at evoking both beauty and the strange. This makes them consistently interesting . . . There is a mixture of wild science fiction (as with John C. Wright's "Murder in Metachronopolis", a convoluted time travel mystery) with what seems best called slipstream (say, Tanith Lee's curious "Fold", about a man who sends people paper
airplane love letters) with out and out fantasy. One of the latter is
my favorite here: C. S. E. Cooney's "Braiding the Ghosts", in which a
girl goes to her grandmother after her mother's death, and learns from
the older woman the secret of "braiding" ghosts — which is to say
enslaving them. So ghosts are the servants of the older woman. But the
girl is not so happy with this . . . especially when she falls for the
ghost she is forced to braid. And the ghosts — are they happy? Read
the story and find out . . . lovely stuff.
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Retail Price: $11.95 USD - £8.00 GBP ISBN-13: 978-1-60762-027-3 ISBN-10: 1-60762-027-8 296 pages Order Now Amazon - Barnes & Noble Amazon UK - Amazon CA Amazon FR - Amazon DE Amazon JP ...or ask for it at your favorite bookstore. To purchase signed copies directly from the editor, query here. Check out these links
Read Saladin Ahmed's story "Hooves and the Hovel of Abdel Jameela" from CLOCKWORK PHOENIX 2 free at Fantasy Book Critic (click here). See photos from the official CLOCKWORK PHOENIX 2 launch, held July 11, 2009 at ReaderCon in Burlington, Massachusetts.
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Praise for CLOCKWORK PHOENIX 2 . . . .Allen finds his groove for this second annual anthology of weird stories, selecting 16 wonderfully evocative, well-written tales. Marie Brennan's thought-provoking "Once a Goddess" considers the fate of a goddess abruptly returned to mortality. Tanith Lee puts a stunning twist in the story of a morose prince in "The Pain of Glass." Mary Robinette Kowal's "At the Edge of Dying" describes a world where magic comes only to those at death's door. In "Hooves and the Hovel of Abdel Jameela," Saladin Ahmed tells of a small village on the edge of a desert, a hermit and a woman who may be a witch. Each story fits neatly alongside the next, and the diversity of topics, perspectives and authors makes this cosmopolitan anthology a winner.
In this anthology of 15 original tales by some of fantasy's most imaginative voices, Tanith Lee returns to her remarkable Flat Earth setting for a poignant and cutting tale of love, fate, and misfortune in "The Pain of Glass." Other contributors include veteran and newer writers Forrest Aguirre, Steve Rasnic Tem, Joanna Galbraith, Saladin Ahmed, and others, each chosen for their unique perspective and stylistic grace. VERDICT: This second volume in a new annual anthology series will appeal to fantasy readers who enjoy short stories.
CLOCKWORK PHOENIX is the most experimental and often the most interesting of the impressive stable of four anthologies published by Norilana. The second outing has a lot of strong work, including a nice ultra-romantic tale of a woman of glass by Tanith Lee ("The Pain of Glass"), a moving fairly traditional ghost story from Kelly Barnhill ("Open the Door and the Light Pours Through"), and a story I frankly didn't think I'd like, but which seduced me, Gemma Files and Stephen J. Barringer's "each thing i show you is a piece of my death," about experimental film makers creating a sort of collage film, including what seems a very old clip of a man committing suicide. It's queasy-making, odd, yet compelling. My favorite story is Ann Leckie's "The Endangered Camp," which she says resulted from a sort of
challenge to combine dinosaurs, post-apocalyptic fiction, and Mars — and does so beautifully as the crew of the first spaceship to Mars witnesses the asteroid striking Earth and wonders what to do.
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"The deeply affecting story of a sixth son in a household where the seventh is most valued ... It's an excellent piece, beautifully voiced and crafted to lodge uncomfortably in your ribs." (Amal El-Mohtar, SF Site) "The well told, compelling and compassionate portrait of a girl formerly acting as a goddess' avatar, trying to fit again in a normal life." (Mario Guslandi, SF Site) "An introspective, character-driven story that touches upon Egyptian culture, as a young woman deals with having lost her status as an avatar for a goddess. The sentiments expressed by the end were very wise and beautiful, and I feel truly enriched for having read it!" (Sequential Tart) "A compelling, bittersweet fantasy story of a statue brought to life while her 'mate' remains stone; she struggles in a hostile city under siege — with the help of a minotaur who worships her — hoping to find a way bring her mate to life. McHugh's created a vivid, fascinating world here, and I really hope he revisits it!" (Sequential Tart)
"Velociraptors set off on a heroic quest and are faced with a difficult choice that may decide whether their race survives or not." (Gardner Dozois, Locus) "Picks up with a group of individuals also fleeing a dying world — except the world they're fleeing is a prehistoric Earth, the land they're seeking is Mars, and the individuals in question are dinosaurs. I kid you not. ... It's a wonderfully effective, well-wrought story that reminded me just a little of Jo Walton's Tooth and Claw." (Amal El-Mohtar, SF Site) "Set in a Polynesian-flavoured world, Kahe is a sorcerer who works his greatest magic by having his wife, Mehahui, attempt to kill him; by nearing death's door, the goddess Hia grants him the power to work his spells. But paying the price of his magic becomes harder and harder, since Kahe's tribesmen are at war with the invading Ouvallese, and straddling the edge of death is a difficult thing to do in battle. Unexpected twists abound in this story, the surprising conclusion of which I loved on several levels." (Amal El-Mohtar, SF Site) "A beautiful and quite original piece, full of pathos and very imaginative, developing the concept that being close to death enhances the strength of the spells thrown by sorcerers." (Mario Guslandi, SF Site)
"Takes us to a medieval Middle-East, where a young physician has been banished to a backwater village called Beit Zujaaj ... he is summoned to the hovel of Abdel Jameela, a strange recluse who has lived alone with his never-seen wife for many years. As his wife is in need of a physician, the latter's presence is requested, and the story rolls into the marvelous from there." (Amal El-Mohtar, SF Site) "Explores what happens when one puts aside the prejudices of one's religion while still embracing the loving and faithful aspects." (Sequential Tart) |
Selected for the Locus Magazine 2009 Recommended Reading List "This piece begins with a powerful scene but the author's talent soon becomes evident as we discover that the narrative isn't told in chronological order. Our expectations are steered in a different but equally satisfying direction, and Lee manages to mesmerize readers with her attention to detail and beautiful language." (Bibliophile Stalker) "Lee confirms her extraordinary talent as a storyteller in 'The Pain of Glass,' a perfect story where a bride-to-be becomes first sand and then glass in the shape of a delicate wine vessel. A veritable masterpiece." (Mario Guslandi, SF Site) "An adorable (albeit somewhat bittersweet) story about a magic fountain, the fish that live in it, and their caretaker. I could easily see this being made into a Pixar short!" (Sequential Tart) "Desperately beautiful, and the most surreally imaginative, accomplished, and original retelling of Snow White I've ever read. In the jewelled prose that is her trademark, Valente puts forward three theories on the origin of mirrors, threaded through and encompassed by a twisting of the fairy tale — and has them told by lesbian nuns. Again, I am not joking." (Amal El-Mohtar, SF Site)
Selected for Best Horror of the Year 2
Selected for the Locus Magazine "One of the most successfully ambitious, brilliant, and terrifying stories I've ever read. This is what I wish more horror was: fiction whose effect is a lingering awe, a reluctance to look through windows into the dark for fear of seeing a face, a rising thrill between sternum and chin as page after page is turned. Told through a collection of documents found in a case file, 'each thing i show you is a piece of my death' explains the phenomenon of Background Man, a completely naked man 'wearing a red necklace' who appears inexplicably in film after film where he is not expected to be ... overwhelmingly excellent in its execution." (Amal El-Mohtar, SF Site) "An exceedingly creepy piece ... It reveals a ghost story through articles, emails, and police reports dealing with a pair of filmmakers and a snuff film they were sent via email. It freaked me out about as much as Ringu, which I consider to be the scariest film I've ever seen!" (Sequential Tart)
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Buy the book
Retail Price: $10.95 USD - £7.60 GBP ISBN-13: 978-1-934169-98-8 ISBN-10: 1-934169-98-6 288 pages Order Now Amazon - Barnes & Noble Amazon UK - Amazon CA Amazon FR - Amazon DE Amazon JP ...or ask for it at your favorite bookstore. To purchase signed copies directly from the editor, query here. Check out these links
Read Deborah Biancotti's Aurealis Award-nominated story "The Tailor of Time" from CLOCKWORK PHOENIX free at Steampunk Workshop: Part One; Part Two. See photos from the official CLOCKWORK PHOENIX launch, held July 18, 2008 at ReaderCon in Burlington, Massachusetts. Read interviews with CLOCKWORK PHOENIX editor Mike Allen at SF Scope and at Enter the Octopus |
Praise for CLOCKWORK PHOENIX . . . .Selected for the Locus Magazine 2008 Recommended Reading List
Author and editor Allen (Mythic) has compiled a neatly packaged set of short stories that flow cleverly and seamlessly from one inspiration to another. In "The City of Blind Delight" by Catherynne M. Valente, a man inadvertently ends up on a train that takes him to an inescapable city of extraordinary wonders. In "All the Little Gods We Are," Hugo winner John Grant takes a mind trip to possible parallel universes. Modern topics make an appearance among the whimsy and strangeness: Ekaterina Sedia delves into the misunderstandings that occur between cultures and languages in "There Is a Monster Under Helen's Bed," while Tanith Lee gleefully skewers gender politics with "The Woman," giving the reader a glimpse of what might happen if there was only one fertile woman left in a world of men. Lush descriptions and exotic imagery startle, engross, chill and electrify the reader, and all 19 stories have a strong and delicious taste of weird.
A very strong first volume ... Established writers and new names all are in good form here ... A series of great promise. Prospects on the anthology front look ever better.
I would have bought this book for its mysteriously gorgeous cover art alone, but the stellar lineup of contributing writers sold me completely ... CLOCKWORK PHOENIX editor Mike Allen describes the anthology as "a home for stories that sidestep expectations in beautiful and unsettling ways, that surprise with their settings and startle with the ways they cross genre boundaries, that aren't afraid to experiment with storytelling techniques." His choices here don't disappoint.
Even if you're not into the genre, this is a welcome read that'll hopefully strike an emotional chord in you.
Another "new weird" collection, perhaps? A slipstream opus? Whatever — set somewhere between fantasy, SF, and something else, the stories selected by editor Mike Allen have an unique property: they are never tedious ... I highly recommend the book to anyone looking for top-notch fiction irrespective of genre labels.
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"Another story from CLOCKWORK PHOENIX that stayed in my mind for days after I read it was David Sandner's 'Old Foss is the Name of His Cat.' With quirky language tinged with myth, it takes you along a lovesick man's last days as seen through the eyes of his preternatural feline companion." (PhillyBurbs.com) "A powerful, tragic, magic tale in which a man named John makes a fateful phone call one day, and reaches himself. The bizarre call stirs up memories of John's past, bringing back a time when he and his best friend Justine were inseparable. But what happened to tear them apart? How close was their relationship, and how did it end... or did it? Whatever you think the truth is, it's weirder. One of the most emotionally-powerful stories in the collection, it really needs multiple readings to understand its depths." (SF Site) "This is a clever, entertaining story that reminds me of classic Charles de Lint." (SF Site) "A brutally absorbing depiction of the anthropomorphic personifications of the title instruments. What would you imagine their lives to be like, if these key instruments of excommunication were flesh and blood? I'm terribly fond of stories that humanize archetypes well, and this story succeeds painfully and delightfully." (Green Man Review) "Never stops, never slows down as it tells the story of Molly, a bike-riding traveler who stumbles across a bizarre ceremony involving an angel and a sort-of prophet. Kinetic and fluid, this story addresses issues of faith, belief, and one's inner nature." (SF Site)
"Barron's contribution is all about mood: the wild energy of late nights when time seems suspended and everything seems possible and that horrible, creeping dread when you can't quite figure what's wrong. He ratchets both of these sentiments up for full effect." (The Fix) "The atmosphere in this story of a couple creeping themselves out over the nothing in the dark that might actually just be something in the dark is so skillfully handled that it actually resulted in me being creeped out. In a nicely lit room." (Green Man Review) |
Selected for the Locus Magazine 2008 Recommended Reading List "A moving, tragic hymn to a dying world. Allusions to homosexuality, and unwanted sons, and a curiously ugly paragon of femininity build to a dark revelation against which there is no appeal; grim storytelling this, Lee at her barbaric best." (Locus) "A tight, fascinating, and gloriously straightforward revenge tale." (Green Man Review)
"An opulent space opera, full of exotic color and historical resonance, about a quest for revenge upon an evil warlord paralleling a figure in Hindu myth. Should the pattern of myth be followed for justice to be done? And what in truth are the mythical referents? The answers are literate and compelling." (Locus) "Just incredibly amazing ... Old myths inform new lives in this crazy and compelling narrative, and Singh's visual storytelling means I can easily imagine this story as a breathtaking graphic novel." (Green Man Review) "Cleverly reworking an aspect of Norse myth, this story hints at a much larger world, and events playing out both before and after the scene in question. It's a simple concept, but stunning nonetheless in the execution." (SF Site) "Mixing themes of religion, faith, redemption, revenge and sacrifice, this is a thought-provoking tale that tackles some complex subjects to admirable results." (SF Site)
"Avery, whose daughter is dying, seeks more time for her from the Tailor. When he grants this desire, the Tailor affects the world all the way down to a dying girl and all the way up to the Engineer of all ... Deborah Biancotti spins out her conceit with a light and fluid intelligence." (The Fix) "Deborah Biancotti explores the true nature of the universe in 'The Tailor of Time,' where that selfsame individual, responsible for sewing together bits and pieces of time to create the ever-changing days and nights, is visited by a man who asks for a small, simple favor. Sadly, this favor, for all that it's proposed in the best of intentions, is near-impossible to grant, but the Tailor, just this once, will try. What happens then is a mystery, one not even the great Engineer who designed the progress of time itself, can explain. Beautifully told, it's filled with rich imagery and interesting concepts." (SF Site) "A story about which I can say almost nothing without my hands waving about in awe and delight. This fable of a dryad and her heart is perfect, beautiful, and glorious." (Green Man Review)
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CLOCKWORK PHOENIX is currently closed to submissions. Watch this space to see the dates of our next submission window. CLOCKWORK PHOENIX 3 is the next volume in the annual anthology series edited by Mike Allen, scheduled to be published by Norilana Books in July 2010. The anthology's literary focus is on the high end, and it is open to the full range of the speculative and fantastic genres. Editor Mike Allen says CLOCKWORK PHOENIX 3, like its predecessors, "is a home for stories that sidestep expectations in beautiful and unsettling ways, that surprise with their settings and startle with the ways they cross genre boundaries, that aren't afraid to experiment with storytelling techniques. But experimentation is not a requirement: the stories in the anthology must be more than gimmicks, and should appeal to genuine emotions, suspense, fear, sorrow, delight, wonder. I will value a story that makes me laugh in its quirky way more than a story that tries to dazzle me with a hollow exercise in wordplay. "The stories should contain elements of the fantastic, be it science fiction, fantasy, horror or some combination thereof. A straight psychological horror story is unlikely to make the cut unless it's truly scary and truly bizarre. The same applies to a straight adventure fantasy or unremarkable space opera — bring something new and genuine to the equation, whether it's a touch of literary erudition, playful whimsy, extravagant style, or mind-blowing philosophical speculation and insight. Though stories can be set in this world, settings at least a hair or more askew are preferred. I hope to see prose that is poetic but not opaque. I hope to see stories that will lead the reader into unfamiliar territory, there to find shock and delight. "Over the course of reading for the first volume, I developed some criteria for stories that aren't likely to interest me (though exceptions are always possible). These include straightfoward retellings of well-known fairy tales; stories in which a Machine Discovers Its Humanity; stories that aim to prove Christianity/Religion Is Bad; stories about a Privileged Schmuck who comes to understand Oppression Is Bad; stories whose entire plot can be described as X Commits a Murder; stories of wish-fulfillment with little complication — i.e.: character longs for something; character is granted that something; end of story. "My aim with the CLOCKWORK PHOENIX books is, somewhat selfishishly, to create books that satisfy my own tastes as a reader. And as a reader, I enjoy stories that experiment, that push the envelope, that dazzle with their daring, but I'm often personally frustrated when an experimental story ends without feeling complete, without leaving an emotional crater for me to remember it by. At the same time, I find myself increasingly bored with the traditional, conventionally-plotted and plainly-written Good Story Competently Told. For better or for worse, I envision the CLOCKWORK PHOENIX books as places where these two schools of story telling can mingle and achieve Happy Medium; where there is significance to both the tale that's told and the style of the telling." UPDATE FOR THE THIRD VOLUME: "For the second book, I received a glut of sorcery stories, of which I only really used one, and a dearth of stories with the rococo sf elements I enjoy seeing. I hope that trend will reverse somewhat this year. Also, please see what I have to say below regarding multiple and simultaneous submissions." RIGHTS PURCHASED: First English Language Rights and non-exclusive electronic rights. The anthology will be published by Norilana Books in a trade paperback edition in July 2010, to be followed by an electronic edition to be produced later. PAYMENT: $0.02 a word on acceptance as an advance against royalties, then a pro rata share of royalties after earnout, plus a contributor copy. WORD LENGTH: Stories should be no longer than 10,000 words, preferably shorter. This is a firm limit for unsolicited stories. READING PERIOD: CLOCKWORK PHOENIX is currently closed to submissions. Watch this space to see the dates of the next submission window. SUBMISSION REQUIREMENTS: Submissions are electronic only. Please submit your story via e-mail, as an RTF file attachment. Your e-mail subject line should say "Submission: Story Title". Include a brief cover letter in the body of your email. It should have your name, address, e-mail address, title of story, number of words, and brief biographical information in case we don't know you, with most recent publishing credits, if applicable. We are open to new writers and seasoned veterans alike. We do not accept reprints. WILL MULTIPLE SUBMISSIONS BE ALLOWED? Yes. WILL SIMULTANEOUS SUBMISSIONS BE ALLOWED? The editor says, "Yes, but please notify me when you've done that. When a writer suddenly withdraws a story that I haven't even gotten a chance to look at yet, or worse, that I just read and liked, but can't make a final decision about yet, it tends to make me cranky. (Don't worry, I do acknowledge and accept that there are some circumstances that justify such actions.) However, no one is going to get a formal acceptance from me until after the reading period ends. If you can't wait that long to find out what I think, then please don't waste my time or Inbox space." EDITORIAL ADDRESS: clockworkphoenix@gmail.com For further updates, check Mike Allen's LiveJournal, THE PLASTEEL SPIDER FACTORY. |